Loz ([info]lozenger8) wrote,
@ 2008-03-25 23:35:00
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Entry tags:lom, rated nc-17, slash, writing

Love me 'til Tomorrow if you Could
Title: Love me 'til Tomorrow if you Could
Fandom: Life on Mars
Rating: NC-17
Word Count: 2200 words.
Notes: Sam/Gene slash. Set after 2.08. Another title from the Barenaked Ladies song "Wrap Your Arms Around Me", because I've decided it's my Sam/Gene anthem. Be afraid. Be very afraid.
Summary: Gene looks and takes a deep breath, not knowing if it's best to say nothing and do everything or do nothing and say everything, or something in-between; a happy medium.



A lamp bathes the walls in gold, making the flat warmer than he remembers it being before. There's the smell of exotic spice in the air, various sounds of cook-top burners working under saucepans, a sizzle of something frying. Gene stands still in the doorway, only just able to make out Sam's elbow as he bends down by his ice box.

"I'm here," he says, surprised by no acknowledgement of his presence.

Sam's head pops above the white door, humorous in its sudden appearance. He smiles and gestures for Gene to come in, sit down. "D'you want a beer or some wine? I've got a really great white - not quite a 1787 Chateau d'Yquem, but it'll do. I asked Nelson to get it in specially."

"I'm fine," Gene says, taking one of his flasks out of his pocket and taking a swig for show. "What's this in aid of?"

Sam is evasive. "Dinner. It's what people have, typically in the evening, though sometimes in the middle of the day. It involves food."

"Why?"

"I wanted to talk to you. Away from the station."

Gene moves forward in his chair, clasping his hands together as his arms rest on his knees. "And why's that?"

"Should we just go to the Lost and Found?" Sam asks, laughing nervously. "I could probably make us up doggy bags." He gestures broadly. "It's just... if you wanna turn this into an interrogation..."

Gene shrugs and stops looking at Sam. He stares at Sam's carpet instead. "It's about Morgan," he says to the dull brown.

"I wanted to explain. You wouldn't let me at the hospital, and every time I try to talk to you at the station, you shut me out."

"Do you really blame me?"

"Gene, I need you to trust me again."

"I do trust you," Gene says. He can sense Sam coming to kneel by his side, can almost feel the heat of his hand as it hovers above his own. He looks up, into Sam's eyes. "Why else would I come here tonight?"

Sam shakes his head. Whatever's frying on the cook-top decides to make a loud, ominous bang and he stands to attend to it, presenting Gene with the expanse of his back. Gene looks and takes a deep breath, not knowing if it's best to say nothing and do everything or do nothing and say everything, or something in-between; a happy medium. Wisest to say and do nothing, in the long run, but he's not sure he can handle that.

"I trust you because you came back, Sam. You changed your mind. You turned your back on Morgan and you rescued ours."

"Not exactly enough, though, is it?" Sam asks, swivelling on his heel to look at Gene over his shoulder. "I mean, from your perspective, I'd been lying to you for months."

Gene swallows. "You want me to hate you, is that it?"

"You should," Sam says, turning his attention back to the food.

He splashes some more oil in the pan and uses an eggslice to flip something over. He stirs the contents of one of the saucepans and Gene thinks he shouldn't be so interested in what Sam's doing, but can't stop himself from watching the smooth, efficient movement.

"Alright then, sometimes I hate you. Sometimes I really hate you. I think about all the ways you've been nothing but a nuisance and I imagine you being wrung through a grinder, as I stand by the side cackling. Good enough for you?"

"And other times?"

"I don't."

"I know. It's those other times I wanna know about."

Gene clenches his teeth. "Other times I'm just glad I wasn't wrong about you. I'm glad you arrived here with your fancy Hyde ways, and I'm glad I succeeded in corrupting them."

There's a smile in Sam's voice as he speaks, though his face is still hidden. "So am I." He points in the general direction of the dining table. "Go get ready. I'll plate up."

Gene does as he's told, aware there's not much point grumbling for the sake of it. He hopes he's omitted enough that Sam hasn't quite figured it out, but the very fact he's been invited to dinner doesn't give him much optimism.

Sam sets his plate in front of him and he's pleasantly surprised by medium-rare steak, cut green beans and mashed potato. Sam, on the other hand, has something that looks like a donkey's lunch.

"What's that?"

"Yakhni pulao. It's a Pakistani dish. It's basically lamb and rice, but with green chillies and cardamom and ginger." Sam shovels some onto a fork and angles it in Gene's direction. "Want some?"

"No thanks."

Sam grins and turns the fork back his way. "Didn't think so. Maybe another day."

Gene nods to himself, realising it's more than likely. He cuts off a slice of steak and eats it, chewing in lieu of talking.

"The thing is, Gene, I used to think I knew everything," Sam says, earnestly.

Gene can't resist. "And you don't anymore?"

"No. "

"What's changed?"

"You." Sam frowns, looking like he's trying to rearrange his thoughts. "Not just you. This, all of this. I used to think everything I did was for the best, that it was right, that I was. But I've made mistakes, I know that, and it seems more like I didn't actually know anything. You've taught me to believe in feelings as well as facts."

Gene raises an eyebrow. "And you've taught me to be mindful of facts as well as feelings."

Sam tilts forward. "Yeah, exactly! We need both. When I was... well, when I was in the tunnel, that's all I kept thinking about. What it'd be like to be one without the other. And I didn't like what I saw - I couldn't make sense of it."

"Not everything in life makes sense."

"No. It doesn't. But so many things make more sense when I'm with you."

Gene digs his fork into another piece of steak. "Did you also have surgery in that tunnel?" he asks. "Your balls lopped off and dumped in a bin?"

Sam rolls his eyes. "Forgive me for expressing genuine human emotion."

A muscle twitches in Gene's cheek. "You're just doing as I taught you, right?"

Sam smiles again. "Yeah."

Gene is not going to return the favour and tell Sam exactly how he feels. Instead he continues eating, doing his best to avoid looking at Sam. He couldn't tell him he doesn't know why he trusts him - that his brain constantly sends warning signals, but his gut does flips when he's around, that his body says 'yes' as his mind says 'no'. It's easier to stare at the wall as the silhouette of a moth flickers against cracked plaster.

He's aware of Sam sipping on his wine and their plates emptying as they continue eating, and wonders how he could wing his escape without Sam knowing the reason why. He could always lie and tell Sam he doesn't trust him, just wanted a free meal. He could make up an excuse of having to get back to his wife, but Sam made mention of his unironed shirts and shaving in the office three days ago and isn't likely to believe circumstances have changed. The longer he stays there's more chance he'll betray himself and something tells him this is what Sam's counting on.

"If you can't eat it all, that's alright. There's dessert too - chocolate torte."

"You'll make some man a lovely wife one day."

"Hate to shatter your illusions, but I bought it." Sam cocks his head to one side. "I would've made Caramel Pecan Cake, or Orange Soufflé, but didn't have the time."

Gene leans back, digging into his pocket to retrieve his pack of cigarettes and lighter. "You say these things just to make me uncomfortable."

"And you let them."

Gene lights up as Sam stares at him, willing himself to remain calm and collected. "So. Morgan."

"Is a git."

"Yeah, and he's left you alone. Why's that?"

Sam bites his lip. "Most of what he was doing was against the law. I wasn't authorised by the higher-ups to be spying on A division. That's what they told me at Hyde. Morgan himself has skipped town."

"Right." The nicotine and tobacco combine to make Gene relatively relaxed. "And I still call you Tyler."

Sam's jaw twitches. "I'd prefer it."

"You're lying to me."

Sam sucks in a deep breath. "I thought you trusted me?"

"I do. But not blindly. You're lying. Why?"

"Because you wouldn't believe the truth."

Gene clenches and unclenches his free fist. He shouldn't settle for that as an answer. He should tell Tyler he's a madman and order him to go make someone else's life hell.

"Try me."

"You'll think I'm being glib. And then you'll try and get me committed."

Gene stares and stubs his cigarette out on the table. "This is like you thinking Vic Tyler was your father."

Sam stares back. "Exactly the same."

"Probably best I don't know, then." Gene rises. "Thanks for dinner. I'll see myself out."

Sam rises too, arching forward, grasping at Gene's sleeve. "Don't go."

"I've got to, Sam."

Sam licks his lower lip and moves forward in one swift arc. His touch is light, but it keeps Gene standing still. "You don't. You've stayed overnight before."

"That was different."

"I woke up in the middle of the night and saw you staring at me."

"You make it sound downright creepy."

Sam tilts his head, moving treacherously closer. Gene holds his breath. "It kind of was. At the time. I didn't understand it. But now I do."

"I thought you didn't know everything?"

"I don't. But I do know this."

Sam brushes his hand up to the back of Gene's neck, his cheek rubbing against Gene's jaw. Gene pushes forward and wants to punch Sam off, throw him into the wall and kick him violently, but he kisses him instead, tasting spice and wine and Sam - finally, after all this time.

"I'm as insane as you are," Gene says, pulling away in order to undo Sam's shirt buttons.

"Insanity's doing the same thing over and over again, but expecting a different result. This is something else."

"Yeah, yeah, Einstein."

Sam shrugs off his shirt and grins. His fingers are immediately busy helping Gene undo his own buttons, and then on his belt, and then sliding over his body. His attention span is short and his interests wide and varied. Gene's manoeuvred onto the cot, Sam straddling his legs and kissing down his torso.

"This was your plan, was it? Wine me, dine me and then have your way with me?"

Sam lifts his head for a brief moment. "Pretty much."

"Didn't take into account I might have other ideas?"

Gene takes hold of Sam's arms and flips him onto his back. He almost slides off the cot entirely.

"Think you'll find you're at a distinct logistical disadvantage," Sam says, lifting his hips up and grinding against Gene. "Bit hard to get the right kind of friction."

Gene groans low in his throat and lets Sam readjust them to their previous position. Sam's hand is slick as it slides up Gene's cock, and his lips are wet as they nuzzle at his neck.

Gene digs his fingers into Sam's hips, rocking him forward and moving until their cocks are aligned. "This is one of those times I hate you."

Sam's voice is thick and deep. "Know what they say. Thin line."

He twists until he has both hands around their cocks, letting Gene take his bodyweight. He's heavy, but worth it. He also strokes at an infuriatingly slow pace. Gene hisses as Sam rubs over the head of his cock and spreads precome, looking at him through lowered lashes. Sam's cock is hot against his own and he's surprised by how much it heightens the sensation.

Sam rolls his hips again and speeds up, wiry muscles in his arms moving under his skin. Gene's breath is sharp and he realises he's almost writhing beneath Sam, but can't stop himself. He clenches his teeth, watches as a bead of sweat travels down Sam's neck, and leans forward to lick it.

This is what pushes Sam over the edge. He comes all over Gene's torso and belly with a choked off growl. Gene follows him a moment later, tensing up and weakening, insensible to everything.

"What now?" Gene asks when he can, not sure he wants the answer.

Sam chuckles. "We shower, have some chocolate torte, and then I'm gonna ravish you again."

"And tomorrow?"

"Tomorrow, we do whatever we have to do to get by. I piss you off, you piss me off, and life continues, as normal or as non-normal as it may be."

"And you still don't know everything?"

"No. Why? What do you think'll happen?"

Gene contemplates and realises he's at a complete loss. "I don't know. But it'll be interesting to find out." He grunts. "Could you shift it, you're crushing my leg."

Sam gets up and extends his hand. Gene gives it a look and takes it.



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[info]norfolkdumpling
2008-03-25 02:38 pm UTC (link)
Oh I love this. Hot, but so touching.

"Know what they say. Thin line."

That, right there, sums up Sam/Gene for me.

I've just created my own LOM soundtrack and this was perfect to read whilst testdriving it. Thankyou :)

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[info]lozenger8
2008-03-25 03:51 pm UTC (link)
Thank you :)

I have about six Life on Mars soundtracks, including the original one.

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[info]norfolkdumpling
2008-03-25 04:44 pm UTC (link)
Yeah, I've got the original one too. There's so much fantastic music in the show though, I've found once you start, you can't stop!

And may I say what splendid neck!porn your icon gives ;)

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[info]fawsley
2008-03-25 03:39 pm UTC (link)
Ahh, if anyone ever gets me back into this fandom it'll be you and your glorious writing. So much to love here, perfect Sam and Gene snark, bit of denial, bit of angst, guilt, and truth, bit of hot sex and some spot-on Sam making two different dinners for two very different men. Though they'll be coming together over dessert I'm sure of it! Thanks for cheering up a dull day and a dull me!

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[info]lozenger8
2008-03-25 03:50 pm UTC (link)
Ahh, if anyone ever gets me back into this fandom it'll be you and your glorious writing.

Well, now I know what I must do. Time to get the plans in motion.

♥ Thank you!

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[info]bistokids
2008-03-25 03:44 pm UTC (link)
Gorgeous, Loz, as ever.

Sometimes I really hate you. I think about all the ways you've been nothing but a nuisance and I imagine you being wrung through a grinder, as I stand by the side cackling. Good enough for you?"

"And other times?"

"I don't."


I had this bit highlighted to quote almost before I'd finished reading it - but I can't for the life of me put into words just what it is about this part that is just - gah! - right. Perfectly them. Sorry not to be more articulate.

And get you with your Chateau d'Yquem! XD

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[info]lozenger8
2008-03-25 03:53 pm UTC (link)
Eeee, thank you :D ♥

(That was my friend google plus the words 'expensive wine'.)

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[info]vickalo_999
2008-03-25 05:15 pm UTC (link)
Hey, great fic!

I know this is a little out of your jurisdiction, but could you by chance tell me how to pin a post to the top of your LJ account, a la your fan fic index? No worries if not, I'm just rubbish with html...

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[info]dorsetgirl
2008-03-25 06:48 pm UTC (link)
I think that when you make a post, there's a field where you can alter the date. This obviously defaults to today, but you can pick a future date.

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[info]vickalo_999
2008-03-25 08:24 pm UTC (link)
Thanks!

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[info]lozenger8
2008-03-25 08:33 pm UTC (link)
True.

Any thoughts on the story, DG?

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[info]dorsetgirl
2008-03-25 09:46 pm UTC (link)
Sorry, m'dear, that does come over as rude, doesn't it! Technically my "go" on the computer ends at 6-30 when the Simpsons ends, as the two younger kids have an hour each - 5-6 and 6.30-7.30, with 7.30-8.30 alternating between them, so I was really pushing my luck being still here at 6-48. I was just re-reading prior to commenting when the supposed incumbent came and stood impatiently waiting, so I had to close down. (I'd hate them to report to Daddy what Mum was reading!) /confused ramble.

So now I'm just grabbing ten minutes before going to make sure the little - darlings - have put themselves to bed.

I didn't really take the story in on first reading, because of your "be afraid" warning; I thought it was going to be one of those where it all goes horribly wrong or gory or something! Anyway...

I always read your fics, but for some reason I find them very difficult to comment on. It's not that I don't enjoy them, because I usually do. It's more that, I don't know, it's like I can't quite see what you've done and how you've done it. I know that makes no sense, but I always get a feeling in your fics of something going on that I'm just not getting. Something beyond the story or the character that is maybe flickering in peripheral vision, or beyond frosted glass, and I don't have the appropriate decoder. I really don't know how to explain it, because I don't know what it is I don't understand! *headdesk*

I like the way Gene is so physically aware of Sam all the way through, while not being overtly aroused. It's that phase of a relationship where you know you want to touch the person but it isn't yet permitted, so that colours everything when you're with them.

I guess what's happening is that Sam wants to progress things, but he wants absolution from Gene first. Ah I get it - in your fics you very often don't say what the characters are feeling; just the most superficial thoughts which somehow carry the message. For some reason I find that extremely hard work - as though I'm clinging on to understanding by my fingernails. Jeez, is this even making sense; it's seriously hurting my head, and I only set out to explain to myself why I often can't get to grips with your fics. It's as I said above, I think, or perhaps something I can vaguely sense under the surface that I don't know how to reach.

I don't know if it's just the subject matter - I like to think I'm not that shallow - but from the point where they stand up and touch each other, I find the story easier to follow. It's more direct.

One thing I found difficult was that, although it's all (I think) Gene pov, a lot of the sentences are cast as if they are going to be Sam pov, and I get misdirected and therefore confused.

I'm sorry, but I have to go now - OH just rang for me to move the car off the drive; this rather confusing comment has taken me half an hour to put together!

Anyway, yes, I like the story, and I like the way the ending is sort of hopeful but not too immediately happy-ever-after.

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[info]dorsetgirl
2008-03-25 10:35 pm UTC (link)
I hate these little scrolly windows where you can't see what you're doing. Clearly, "/confused ramble" was intended to close the whole thing, not the first para, but was added in a hurry.

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[info]lozenger8
2008-03-26 01:50 am UTC (link)
I didn't really take the story in on first reading, because of your "be afraid" warning; I thought it was going to be one of those where it all goes horribly wrong or gory or something!

No, hee. That was just me commenting on the fact I'm obsessed with that song and there's every chance there will be more stories based around it. I usually warn for gore, don't I? ;)

It's more that, I don't know, it's like I can't quite see what you've done and how you've done it.

To me, that's a good thing. That means there are layers.

To put this story in its barest form: Gene knows why Sam's invited him to dinner, Sam actually knows that Gene already trusts him, but needs to know why. Gene trusts Sam because he loves him, in a more than platonic way, and Sam realises, and is more than okay with that.

But there's still conflict there, because Gene shouldn't trust Sam. They both know he shouldn't. And Sam can't tell the truth, but he also can't lie - not really. Gene ignores it because, somehow, not knowing is better than acknowledging the one you love may just be completely round the bend.

And then there is sex.

I often don't say what the characters are feeling (and, in fact, this is one of the most explicit 'say what you feel' stories under my writing belt), because I prefer to show what characters are feeling. I say it in the things they don't say, the actions they do and don't take. And maybe sometimes I'm not very successful. But it's a personal preference - what I prefer to read/watch as well as write. Nothing can bring me out of something more than declarations of love (it may be a complex, who knows?) --- but that word is very much there in this story; "This is one of those times I hate you."/"Know what they say. Thin line." = 'It's a thin line between love and hate.'

It's definitely all Gene POV, but it's not an incredibly tight third. I don't know exactly which sentences would be mistaken as Sam POV, but next time you have some time, maybe you could tell me?

Edited at 2008-03-26 02:58 am UTC

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[info]dorsetgirl
2008-03-27 12:02 am UTC (link)
To me that's a good thing. That means there are layers

And that’s fine, but it’s not for me. Not very often anyway. I like a story that’s complex in a different way; the kind of thing where you think “Hold on, a blue umbrella?, and go rummaging back through the previous hundred pages or so because somewhere, three inches down a left-hand page at the beginning of a paragraph, you know someone else saw that blue umbrella, and if you could only find where they saw it, you would know whodunnit. Factual analysis maybe, rather than literary.

To put this story in its barest form ... the one you love may just be completely round the bend.

Well, yes, I got all that. thin line I got that too. So it’s still something unexplained that I didn’t get!

Nothing can bring me out of something more than declarations of love (it may be a complex, who knows?)

I’m saying nothing. *snerk*

It's definitely all Gene POV, but it's not an incredibly tight third.

I’m assuming that by this you don’t mean “It’s sloppy” but “It’s not very deep inside his head”? I’m working out this pov thing as I go along, and I never got taught the terms.

So, which bits (sorry!) put me in the wrong position? Well, I’ve wondered if it’s anything to do with the kind of confusion I have in writing sex, which is that for some mad reason I tend normally to think it and write it Sam pov, but I’m seeing it and choreographing it Gene pov, which means very careful reading back.

OK, so re-reading several times tells me that it’s the sex scene that confused me on this particular point, and this is partly because it’s Sam leading a lot of the action, which seems to have drawn me into his head rather than Gene’s. Many of the actions, to me, are described from where Sam’s standing (OK, lying).

He twists until he has both hands around their cocks, letting Gene take his bodyweight.

Right, this was the confusing bit; the bit where I realised I was getting it wrong. I took “letting” as inside information, ie Sam pov, so that He's heavy, but worth it seems to refer to Gene. Who is heavier anyway. But then we get He also strokes at an infuriatingly slow pace. and suddenly I’m all “But hold on, Sam is doing the stroking.”

So it’s “letting”. But if “letting” does not indicate pov, then by my reckoning in the 463 words from “Try me” to ”thin line”, you only have one word indicating pov at all (Gene wants), as against all the action statements which lead me to see Sam pov.


I hope some of that makes sense; I’d be interested to hear how it compares with Author’s Intent!

I think after all that reasoning I’ll go and write a nice simple flashback. My little coda to An Unhappy Man (as opposed to the sequel!) is in danger of spawning an entire spin-off series where Pete Martin and his new love keep watch over Sam from afar throughout his months in ‘A’ Division, never able to get close enough to realise that he doesn’t actually know who he really is. Then after the tunnel, they come to visit, etc, etc. I have endless plotlines playing out in my head, but I have to finish the coda first, and the sequel, and then I have a fic half-written where Sam tells Gene about the notebook, and then, and then... I wish I could get interested enough in actually finishing one of them. (I never was a finisher). Perhaps after I’ve run out of Ashes reaction quick-fics.

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[info]lozenger8
2008-03-27 06:29 am UTC (link)
I’m saying nothing. *snerk*

Shh, you. If you've never had anyone who's not blood related tell you they love you, it's bound to be a sore point. Even worse if you're fairly sure that's never going to happen.

I like a story that’s complex in a different way...

I do that too. At least, I have done. Most of the time for murder mysteries, since that's where you'll often find that use of plot detail. It doesn't exactly work for short romances, although I'm fairly sure I've done that too. Did you ever read the one where Gene's imagining Sam around the office? You think you're reading a perfectly ordinary Sam/Gene and then there's this line, "except that doesn't happen, because Sam's not there." That was a prime example of that type of plotting. Totally naughty, of course, since it was a third person unreliable narrator --- but little clues about the fact Sam wasn't really there are sprinkled throughout, so that when you go back, you realise the BAM was actually already laid into the framework.

I rather like that one.

So it’s still something unexplained that I didn’t get!

Nope, don't think so. You might be reading more into it than intended (again, from my point of view - a good thing.) The uncertainty and unknowing adds to the atmosphere, but apart from what we've discussed, there's not that much going on. It's unarticulated feeling as opposed to unarticulated thought. I mean, there's a lot of unspoken tension - but that's it.

A tight POV certainly does mean how far or near a character's headspace you are. I like to vary between how tight I'll go. Usually I prefer distant third, because it gives me more scope to do the kinds of things I like to do - but I'll just as happily go tight, such as in my latest one "Five Times Sam Tyler Made Gene Hunt Beg", and something like "A Heaven of Hell, a Hell of Heaven". It depends upon the story. I know some readers/writers have one set POV or voice they prefer, but I like playing around with it all. Which I'm sure can annoy some people, since they never know what they're going to get.

One thing though - I almost never write omniscient third (has to have the 'almost', because I have done, of course), and I never change point of view within a scene without an indication (and then, again, very rarely.) I come from the school of "short stories should really only have one narrator". I may bounce point of view if I think it's necessary for a story, but it will be delineated. So you can almost guarantee that if you start one of my stories with Gene, you'll end with Gene.

I wouldn't think 'letting' is a signifier of point of view, necessarily. "He's letting me take the fall" is a relatively common phrase, but if that's how you're reading it, I can see where it would cause confusion. Also, this is undoubtedly Gene's POV- "Sam's hand is slick as it slides up Gene's cock, and his lips are wet as they nuzzle at his neck." Throughout the scene, Gene is reacting to Sam's actions, watching Sam. It's not "Gene feels a rush of blah-di-blah-di-blah", but it is still his perspective.

I admire you for your ability to plot like that. I have a lot of difficulty (obviously). It's not that I don't see larger stories - only that I only ever see the big scenes of them. And I get writer's block, and depressed, and I really need to start working on it more.

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[info]lozenger8
2008-03-25 08:34 pm UTC (link)
Thank you :)

It's like DG said, you can change the time on a post to a future date and that sticks it at the top of your journal.

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[info]sytaxia
2008-03-25 05:18 pm UTC (link)
This was just so incredibly sweet - about as sweet as Gene/Sam can ever get, while still being perfectly in character - a very hard balance to find, but you've hit the nail directly on the head - Bravo!

I love the way that Gene simply accepts what little that he knows about Sam's past, and about the "issues" that Sam has about his past, Vic Tyler, etc, and just lets them slide. And I love the fact that even though he knows he's lying, he still trusts him. Definitely perfect trust, and definitely spot on again, with the Gene/Sam relationship.

Also - Sam popping up from the fridge was fantastic, and the fact that he made a different dinner for Gene was great, as well - very cute. And the Yquem comment just made me think of Alex calling Gene a Bonepartist, which made me chuckle quite a bit.

Great fic!

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[info]lozenger8
2008-03-25 08:36 pm UTC (link)
Thank you :D

I've been musing all week on how Gene doesn't respond the way I would ordinarily think he would to being horrendously betrayed, and I keep thinking it has to do with love of a very specific nature.

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[info]alex_tremain
2008-03-25 08:43 pm UTC (link)
Brilliant. Really lovely. I love Sam's cooking. XD And Gene's just spot-on-fabulous. And a dash of smut to top it off, Brilliant.

Hoorah for further ravishings of Gene Hunt.

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[info]lozenger8
2008-03-25 08:46 pm UTC (link)
I have a softspot for Sam cooking, it has to be said.

Thank you :)

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[info]draycevixen
2008-03-25 11:10 pm UTC (link)
For me this all pivots around those dinner plates... The Guv eats his steak, mash and beans and drinks from his flask. Sam eats Yakhni pulao and drinks a white wine he had Nelson find for him... and everything is good between these two men who are essentially from different worlds. Gene might even try the Yakhni pulao in the future. They have changed each other as well as their environment and there's no going back on that.

Thank you!

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[info]lozenger8
2008-03-26 01:51 am UTC (link)
Thank you :D

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[info]operafloozy
2008-03-26 01:00 am UTC (link)
This was surprisingly sweet and not-so-surprisingly hot.

I liked how Gene was trying to probe for answers while guarding his own badly kept secret--but willing to back down when he realized he didn't really want to know. It fits Gene's character so well-skirts the line between inquisitive detective and his canon reactions to 'Hyde'. And of course, Sam can't leave it well enough alone . . .

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[info]lozenger8
2008-03-26 01:52 am UTC (link)
:D Thank you.

Oh, Gene.

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[info]taurenova
2008-03-26 01:17 am UTC (link)
This hits about a million of my kinks so I've decided it's just for me. :D

You're totally awesome, hon. *nods* And this was totally hot. *nods once more*

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[info]lozenger8
2008-03-26 01:52 am UTC (link)


Thank you!

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[info]argyleheir
2008-03-26 02:03 am UTC (link)
He's heavy, but worth it.

Mm, really enjoyed this!

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[info]lozenger8
2008-03-26 02:04 am UTC (link)
♥ Thank you!

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[info]severinne
2008-03-26 03:46 am UTC (link)
I really enjoyed this in the way I tend to especially savour those stories where Sam and Gene come together plausibly with all their weird differences somehow intact. Life after Morgan always seemed an especially tricky patch, but Gene's way of dealing with it (or rather, choosing not to deal with it) is every bit a gruff denial as it is deeply moving and intuitive. I think it's all in there, and it works wonderfully :)

Thank you!

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[info]lozenger8
2008-03-26 06:46 am UTC (link)
Thank you :)

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[info]hambelandjemima
2008-03-26 09:56 am UTC (link)
Like DG, I don't always comment on your stories, but that's because although I love them, I can't pick out what makes them work and I don't know enough 'writing jargon' to comment on the constuction. I'm swept along by it, and I'm often surprised at how much I've read when I reach the end (which is always too soon).

Anyway, slash or gen, your Sam/Gene is always a joy to read ♥

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[info]lozenger8
2008-03-26 10:35 am UTC (link)
Thank you, Hambel ♥

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[info]duckyone
2008-03-26 11:42 am UTC (link)
I had a really icky day yesterday so I am playing catch up on my reading.

Do you ever read a story and you love it but you can't really put into words why? Well that's this one for me. Sam trying to find where he stands with Gene by using too many words and food and Gene being his laconic, closed off self not comfortable explaining how he feels.

I love how they slowly get around to acknowledging what happened and then putting it behind them. I love the slow build up to the release of the sex. And I love that they part on a handshake. That is very Gene and Sam for me.

Thank you.

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[info]lozenger8
2008-03-26 11:45 am UTC (link)


Thank you.

Sam's also helping Gene up after the handshake.

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[info]saintvic
2008-03-28 07:12 pm UTC (link)
Am a bit behind on my reading so just want to say quickly that I really enjoyed this.

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[info]lozenger8
2008-03-29 12:32 am UTC (link)
Thank you :) ♥

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